Archive for United States

‘Sleepy Hollow’ Season Four Finale: All Four of them damned Horsemen

Posted in Action, comedy, drama, Historical, Romance, Sci-Fi, suspense with tags , , , , , , , , , , , , , , , , , , , , , , , , , on April 3, 2017 by aliciamovie


Reviewed by Alicia Glass

 When we last left our intrepid supernatural freedom fighters, things weren’t going very well. Agent Mills had died, Crane (Tom Mison) got himself forcibly recruited to the Washington branch of Agency 355, the supernatural agency and library built by Washington himself, and fans of the show were pretty disappointed all around in the cult-y dark horse favorite Sleepy Hollow. This new season had a ton to make up for if the show expected to keep even half of their loyal viewership. Let’s get into this, and see how they did!

Spoilers – bear Witness! 

So we all know, it has to be two Witnesses, no more and no less. The uncertain nature of the second Witness in this season managed to not become annoying, but only just. First we swore it had to be Agent Thomas (Janina Gavankar) of Homeland Security, because one of the main side plots of this season focuses on Crane’s grand faith in America and D.C. in particular, so we needed a way to get to the President. (Who, on this show, is a black woman, potentially a clear apology from the showrunners about the previous death of Abbie Mills, a beloved character who happened to be a black woman and got a huge fan backlash for it. ) Then the show swore up and down that it’s actually Agent Thomas’ daughter Molly (Oona Yaffe), the odd little girl who can draw mysterious supernatural portraits like no-one’s business, who just up and decides to stop talking to anyone until she meets Ichabod Crane in person. And for awhile, the little girl gets to be the focus of the show, fighting monsters and supernatural stuff while the adults try to keep abreast of everything else going on.

What else is going on? Mainly, this super-rich batshit crazy guy Malcolm Dreyfuss (Jeremy Davies), well he made a deal with the Devil for his soul, like you do, and is now spending most of his efforts and money into making himself immortal, thereby negating said deal. Even his pet demon servant Jobe (Kamar de Los Reyes), he’s more like the butler from Black Butler, and does a fair job of it too. Condensing it all down, Dreyfuss wants to put together the Philosopher’s Stone with the right other ingredients to make himself immortal, and of course somehow the blood of Ichabod Crane and his line gets muddled in there too.

Back at Agency 355, Jenny Mills (Lyndie Greenwood) has unsurprisingly shown up to help fight off evil creatures, gather magical artifacts, and in general be another badass (potential apology) black woman character. Her character gets little in the way of personal storyline this season, but she’s had that in previous seasons, and we need to get on to the newer members of the group! Alex Norwood (Rachel Melvin) and Jake Wells (Jerry MacKinnon) had previously been lackadaisical caretakers of Agency 355, when Crane and company showed up and turned everything on its head, because magic and the supernatural and such is really real, yall. Alex is our somewhat skeptical engineer type, she struggles with the holy-shit aspects of having to fight the supernatural on a regular basis. Jake on the other hand is a total fanboy of all things occult and Witness-y, fawning over Crane initially and still giddily trippin about it by the season finale. These new characters are a little like us fans got to be in the show as them, all boring and normal until suddenly one day, damn man, that’s Ichabod freaking Crane and we’re shooting at zombie militia now!

So, up to speed now, Dreyfuss has managed to do his thing with the Philosopher’s Stone and is no in theory immortal, he’s begun having visions of remaking America in his own tyrant-y little image, annnnnd Molly-from-the-future just showed up. This third incarnation of the second Witness is the young adult version of Molly, from an alternate future where Dreyfuss has fucked America ten ways from Sunday but for some reason also adopted Molly as his protégé-daughter, re-naming this alternate version Lara (Seychelle Gabriel). Discovering this new development, Dreyfuss decides to go ahead with his diabolic plans of raising all four of the Horsemen of the Apocalypse, and through some bloody supernatural skull-duggery, Henry Parrish rises again to fight for the mantle of War.

The finale episode sees Dreyfuss attempting to send all four of the Horsemen to attack and subdue the President of the United States herself, and of course the Witnesses and their cohorts have to come out and stop them!

The speech Ichabod Crane gives to his son Henry Parrish (John Noble), even as War is about to cut them down, was very patriotic in a kind of subtle way, and could also in theory be taken as a reminder to our politicians right now – we are a nation built on freedom, and we are willing to do damn near anything for that freedom, including giving that sissy talking and peace a chance, ugh, okay, truce for a bit. Crane was a wonderful Hamilton-like character throughout most of the season, but him making a deal with the Devil when they voluntarily went to Hell, as a potential build-up for what Crane will be facing next season, I thought was a little contrived. Though I must admit, Terrence Mann as the Devil himself did a very fine job, and it was a lot better as him than if FOX had put Tom Ellis in that spot. Just saying.

We see the President (Charmin Lee), her own bad black woman self, make Ichabod Crane an actual citizen of the United States, and how it touches him so, reminding us that to be from American is supposed to be something to be proud of. The new characters are pretty good, the old ones have been polished up some, and the bad guys are plentiful in the Sleepy Hollow horseman tradition. Season Four made up for quite a bit Season Three lacked, so yes, if there is a Season Five, I’d watch it and suggest you do the same.


San Diego Latino Film Festival 2013 presents Hecho en Mexico (Made in Mexico)

Posted in comedy, drama, Foreign, Kids, Movies, Musical, Romance with tags , , , , , , , , , , , , , , , , on March 22, 2013 by aliciamovie


Reviewed by Alicia Glass

Studio:  El Mall

MPAA Rating: R

Director:  Duncan Bridgeman

Review Rating: 6.5

Using the diversity now available in Mexican music as a framework, everything from traditional Mariachi to up-and-coming rap, the documentary approaches contemporary Mexican culture and modern and lasting issues.

The whole of the movie is basically various issues faced by Mexicans today: work, family, religion, health, etc, set in vignettes that basically shake the collective finger at the viewer, interspliced with various forms of modern Mexican music. Rap, contemporary rock, Mariachi, folk, many different forms of traditional and the like, all provide a framework to a whole bunch of apparent disapproval with which the filmmaker casts at the audiences’ modern way of life. The migrant workers who espouse that they just want to cross the border to find work in the better land, for example. Or the battle between the sexes, always an issue for the Latino community, and how the battle is unbalanced due to the sacred elevation of any woman once she becomes a mother. The issue of religion or more to the point the lack of it is addressed, though in a contradictory act, the sacred worship of the pregnant Virgin of Guadalupe is also given its’ own entire segment. Another whole segment is given to the abuse of the body by drugs, which I will grant you is worth some finger shaking, but the film goes so far as to admonish for even the use of caffeine, and that’s just unrealistic. Like pretty much the rest of the entire audience, I did not go to this movie to be chided the entire time. I went for the music, so, on to that.

I did not know there was so much diversity in Mexican music at this point. I’ve heard Latino rap before, and one can’t live in Southern California without learning a small smattering of Spanish by osmosis. The music provides a rich counterpoint to the rebukes of the film, but there is a bit of a problem. Like a good deal of any modern rap from any nation, it sounds good until you actually listen (or in this case read) to what they’re actually saying. The film dutifully provides subtitles for all the music, and a great deal of it is either lamenting their tortured history or complaining about the current situation, and yes a lot of it has to do with the United States. The audience obviously had some favorite singers they were there to support, given the cheering when certain singers were given their segments, but that was all they were there for as far as I could tell. Entirely not what I was expecting at all, the film nevertheless provides thought-provoking slices of Mexican life, all set to a gloriously diverse soundtrack.


Posted in Anime with tags , , , , , , on September 1, 2010 by aliciamovie

Crunchyroll, Inc., and Tai Seng Entertainment announced today the launch of MYTV.TAISENG, a joint development partnership between the companies featuring premium content from Hong Kong and mainland China.  Access to the MYTV.TAISENG website is available in English, Mandarin and Cantonese at <> .

Fans will be able to watch the latest shows direct from Hong Kong including
TVB drama, variety, food / travel, in addition to popular Tai Seng drama and
movies from Hong Kong, Taiwan and mainland China ­ all viewed from the
convenience of your personal computer ­ anytime, anywhere!

Shows are now available for streaming on the MyTV website, with iPhone /
iPad applications to be made available soon.  Subscribers can sign up for a
limited time introductory monthly price of $7.99 for unlimited access to all
content in high quality streaming without ads.

Crunchyroll has successfully built an online business monetizing their
professional content through the freemium model and we are excited about
this partnership,² said Tai Seng President Bernard Soo.  ³By utilizing
Crunchyroll¹s proven in-house technology and B2C expertise alongside Tai
Seng¹s extensive library of films and TV series, our goal is to make
MYTV.TAISENG the most-comprehensive and appealing subscription service in the market today for Hong Kong and mainland China media.²

³Tai Seng is the clear leader in the United States when it comes to the
licensing, distribution and marketing of premium live-action entertainment
from across Asia,² said Crunchyroll CEO Kun Gao.  ³It made absolute sense
for Crunchyroll, an entertainment-driven consumer-facing technology company,to partner with Tai Seng, the leader in its field, and we look forward tothe success this partnership will bring.

MYTV.TAISENG is available in the United States and its territories and
possessions.  Additional and exciting new drama, variety and action movies
and series will be added to MyTV on a regular basis as part of this new